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By Hand & Eye


Last week I received my copy of By Hand & Eye from Lost Art Press. I’ve just about finished reading it and something has compelled me to comment on it. The book is co-authored by George Walker and Jim Tolpin. Because this book is a text book more than anything else, it is not easy to review, nor is it easy to judge after just one look. My first impression is that it is a very good book. It is the first “new” woodworking book that really has made me think since Christopher Schwarz’s first workbench book. That isn’t to say that the woodworking books I’ve read in the meanwhile haven’t been good, or even just okay. I try to take just a little bit from everything I read. By Hand & Eye is more than just a little bit of information and tidbits; it is a guideline on learning the art of furniture design. I won’t go as far as calling it a crash course, because it is not. This isn’t the type of book you read once and put it back on your shelf for a few years. This book is a book to be referred to, this book is the book you take out when you are working on your next sketch.

Before I go on, I am compelled to say this, though very reluctantly. Jim Tolpin is one of the authors of By Hand & Eye. I have two other books of his and I didn’t particularly care for them all that much. That doesn’t mean that I didn’t enjoy what he did here, I did. In fact, a section of the book, which I believe was written by Tolpin, that explains using a sector in conjunction with dividers was the clearest and most concise writing I’ve ever seen on that particular topic. But the fact of the matter is there is something about Tolpin’s writing that rubs me the wrong way. Before I continue, let me be clear and state that this is in no way a personal attack of Jim Tolpin; his accomplishments speak for themselves. At that, his accomplishments may be the very reason that he rubs me the wrong way, and that is because in every article/book I’ve ever read of his, it seems to me that he loves to just throw his resume’ out there for no apparent reason. I can’t seem to figure out why he feels the need to do this. I’ll be the first to admit that I like to brag a little bit; just about all of us do on some level. We may brag by posting a photo of a project we’ve just completed, or something we are still in the process of building. In the last sections of By Hand & Eye, there are several projects by Tolpin highlighted, and rather than just letting them and their proportions do the story telling, Tolpin feels the need to point out why those projects that he built “by hand” are so fabulous. And this part I only say to be completely forthright, but the projects highlighted in the book, while all very nice, are nothing special.

Before I finish, I would like to point out that Jim Tolpin is a far, far more accomplished woodworker than I will ever be. He’s written more than a dozen woodworking books, runs a successful woodworking school, and has made a living being a top notch craftsman for years. I don’t feel “right” criticizing what he’s done, but I am doing it out of total honesty. Does this make me a jerk? Perhaps, but I am an honest jerk. As far as By Hand & Eye is concerned, would I recommend it? I would, in fact I would highly recommend it. I’ll take that a step further: if you are a woodworker who is interested in designing furniture, or you are a woodworker who is simply wondering how and why furniture was and is designed, I would tell you to stop what you are doing, go over to the Lost Art Press web page, and order this book immediately. For under $35 you are getting a highly informative book that also happens to be really well made and look great. I can’t say enough good things about the title.

The end of swag?

The end of swag?

In other news, I just finished spending the last of my guilt-free tool money. I picked up a new Starrett 6″ combination square, a new set of dividers to replace my old beat up ones (partially because I was inspired by the book), a new rasp, a new saw file, and the hinges for my blanket chest. I purchased the items from both Lee Valley and Traditional Woodworker. I spent around $175 including shipping, but I picked up some high quality tools that I really could use. In that sense, it feels good to spend the money on items I know are useful, as well as top quality. The construction phase of my chest should be completed on Sunday morning. After that, I have to convince my wife to help me do the finishing work. So all in all, it’s been a good year of woodworking.



  1. Andrew says:

    I’ve been thinking about getting the Starrett myself. Do you think it’s worth the price?

    • billlattpa says:

      I actually haven’t used it yet, it came in yesterday. My previous square is a Craftsman. It has definitely worked well, and is relatively inexpensive, but I dropped it once and I had to constantly mess with it to keep it square. For instance, if I tightened the thumbscrew a certain way, the square would jump. The Starrett supposedly will not do things like that. So I’m hoping the $70 is money well spent.

  2. Hi Bill

    Last week I spent (in Taunton Store website) a lesser amount of $ in two things:

    1. Tom Fidgen’s “THE UNPLUGGED WOODSHOP”

    I can’t wait enjoying mi new acquistions. (Those will be shipped to Colombia).

    Don’t forget to report on that nice Starret square.


  3. Chris P. says:

    I’m diggin’ those dividers! Good review of the book, I’m going to pick a copy up myself one of these days.

    • billlattpa says:

      It’s a good book, definitely worth it if you are a woodworker who doesn’t like to follow pre-published plans, like I am. I’ll be putting the dividers and the Starrett to work this weekend, I’ll let you know how they work out.

  4. Steve D says:

    I can vouch for the niceness of the Starrett squares. They definitely have a great feel in use. I wish I had bought the chrome scales. The plain scales can rust and be fussy to see in certain lighting situations.


    • billlattpa says:

      My little 6 in combo square is one of my favorite tools. I used to have a Craftsman that did a nice job, but the Starrett is better. Whether or not it’s 3 times the cost better is another matter.

  5. Orko says:

    I agree about writing being subjectively annoying. Kurt Vonnegut wrote a great bit on the use of semicolons. He believes, and I agree, that semicolons should never be used because: “They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college.” And this honest jerk was rubbed wrong by your use of semicolons. Needlessly bragging about your collegiate career to everyone. However, I do like your website and found useful information stored here.

    I love my Starrett products. Every tool I’ve purchased from them have been flawless. They are worth the money if you can pony up the cash, but not necessary if you can’t.

    On a side note, I’m home, temporarily incapacitated, bored, on morphine, think I’m funny, and unsure if this will be taken as lightheartedly as I intended. (but I do hate semicolons)

    • billlattpa says:

      Thanks I think :). Actually, I think the semi colon is completely unnecessary, but considering that I went to Catholic school for 12 years, it was beat into me to use it. Yet the two writing courses I took in college didn’t stress it, but it does look impressive.
      I myself was temporarily incapacitated last weekend, but unfortunately the only pain killer I had was Aleve, which works, is like M&M’s next to morphine.
      Good luck!

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November 2013
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